Proper Gander- Grander designs
Kevin McCloud’s Listed Britain (Channel 4) is a tour round the country’s architectural heritage, particularly buildings which have been awarded ‘listed’ status. These are those which, because of their history, rarity or style, are deemed worth protecting. A listed building may not be demolished or altered without permission from its local planning authority, and renovations are expected to be carried out using sympathetic materials and techniques. Classifications differ across the UK: In England and Wales, ‘Grade 1’ confers the most protection, with ‘Grade A’ as the equivalent in Northern Ireland and ‘Category A’ in Scotland. The organisations which oversee this are various extensions of the state; in England and Scotland they are ‘executive non-departmental public bodies’.
Without safeguarding our most significant buildings, the country would become ‘a retail park with aspirations’, according to presenter Kevin McCloud. Old structures ‘speak through the generations’, being physical reminders of the past. When we see their brickwork, carvings or fixtures and fittings, we can imagine the people who made them and the circumstances in which they lived. However, buildings get built because of the prerogatives of landowners and business owners rather than in the interests of those who construct them. The series’ second episode covers structures which were intended to express the elite’s position in society: ‘the status symbols built to impress, dazzle and dominate’, as McCloud puts it. Chatsworth House and gardens in Derbyshire were intentionally designed ‘to communicate power’. Inside the main house, the most ostentatious display of wealth is the Painted Hall, which boasts an overwhelming range of murals above a cantilevered staircase, summed up by McCloud as ‘gargantuan’. The estate was and is owned by the aristocratic Cavendish family, whose successive Dukes of Devonshire prompted expansions during the 18th century, including demolishing part of a nearby village which apparently spoilt the view.
The building which most obviously embodies political power is the Palace of Westminster in London, completed in 1876 in the ‘Gothic Revival’ style. So, fittingly, Parliament is housed in an imposing, regimented relic of an outdated era. Also appropriate is that the structure has long been deteriorating and attempts to patch it up are too costly to be viable. McCloud wonders if the £35-40 billion needed to renovate the palace is worth it, as the same amount would fund the salaries of every NHS nurse for over two years. He asks ‘do you want to see democracy crumble? Do you want to see all vestiges of it disappear, turn to a pile of dust, or do you want to repair it, keep it going?’ ‘We as a nation have to collectively decide’ he adds, although the crumbling parliamentary democracy he describes doesn’t really enable us to ‘collectively decide’ how the state functions.
As illustrated by the Palace of Westminster, listed status doesn’t prevent a building from sliding into decline, and less prominent or unused sites are more vulnerable. The money system holds back buildings of historical and aesthetic importance being adequately maintained because the required skilled workers, specialist techniques and specific materials tend to be prohibitively expensive. Places attract income from visitors if there’s a lot to see, but there isn’t in 14th century Baguley Hall in Manchester, for example. ‘Financial viability and money is always the problem’ says heritage expert Catherine Dewar about the struggles with its upkeep.
Listed status isn’t only granted to buildings well over a hundred years old. Cathedrals in Coventry and Liverpool from the mid-20th century have Grade 1 classification, as does another place of worship. Being a hub for the insurance market, the Lloyds building in London is like a cathedral to commerce, where its congregation of underwriters and brokers put their faith in the economy. Completed at the height of yuppiedom in 1986, with its pipes, lifts and facilities on the outside to leave more space in the middle for business, the Lloyds building looks like it’s ‘made by machines’, and made for the machinery of capitalism.
Not all listed buildings reflect the power of the elite: a hidden grotto lined with seashells and London Zoo’s Modernist penguin enclosure were more personal passion-projects. The programme is also keen to emphasise the ‘positive energy’ of community groups, campaigners and craftspeople working to preserve heritage architecture.
A framework for listing buildings could exist in a socialist society, although the context would be different to that of today. The notion of a cherished building under threat of destruction sits more in capitalism than socialism, as the impetus for destruction is invariably money-driven. Any scheme for listing buildings in a socialist society would be shaped by how they are ‘owned’. The understanding and application of who owns buildings would be unlike that in capitalism, where possession is held by individuals or organisations, and ‘legitimised’ by legislation and money.
The situation with Mavisbank House in Midlothian, Scotland, highlights some of the quirks of ownership in our current society. Constructed in the 1720s as the first villa in the Palladian style in Scotland, by the late 20th century the building was a ruin. The Lothian Preservation Trust’s aims of restoration were complicated by Mavisbank’s ownership not being clear. Its last documented owner claimed he sold it to three probably fictitious people, and he also sold off its access roads so its actual owner may not legally be able to get to it.
In a socialist society, buildings and their environment would be the responsibility of the community as a whole. So, there would be no separation between ownership and who uses buildings, avoiding one of the restrictions of the capitalist system. As a socialist society wouldn’t ration its resources with money, another barrier to maintaining buildings wouldn’t apply. Any rules about protecting significant buildings would be decided democratically and managed by whatever method is most accountable and fair. There would still be disputes over whether or not a particular construction should be retained, but their resolution would be more straightforward and transparent, compared with the financial constraints, hierarchies and bureaucracy of capitalism.
MIKE FOSTER