Reply To: Music
John Brown’s Body
From Harriet Beecher Stowe’s anti-slavery novel “Uncle Tom’s Cabin” [1852].
-
ST. CLARE [plantation slaveholder]:
——I’ve something to show you.
MISS OPHELIA [his sentimental cousin]:
——What is it?
ST. CLARE (dragging a little negro girl):
——I’ve made a purchase …
MISS OPHELIA saw, on the back and shoulders of the child, great welts and calloused spots, ineffaceable marks of the system under which she had grown up
- MISS OPHELIA:
—— How old are you, Topsy?
TOPSY [little slave girl]:
——Dun no, Missis,
MISS OPHELIA:
—— Who was your mother?
TOPSY:
—— Never had none!
MISS OPHELIA:
—— Where were you born?
TOPSY:
—— Never was born!
——- I spect I grow’d.
Union Marching Song of the Civil War (1861-65)
John Brown led a doomed slave revolt in 1859, on the eve of the American Civil War.
A white man provoking a slave revolt sent shockwaves across the nation.
He was captured by Robert E. Lee and condemned to hang. In prison he bombarded a willing national media with anti-race-slavery messages that pushed the nation to the brink of Civil War.
Here’s the song’s first published text (1861):
-
John Brown’s body
——lies a mouldering in the grave. (x3)
His soul’s marching on!
CHORUS
Glory, Hally, Hallelujah! (x3)
His soul’s marching on! (x2)
Part of the song’s appeal is the brash bravado of a Union soldier making light of “mouldering in the grave” while marching in the footsteps of a martyr to the cause of black emancipation. This is how to steel a white man into fighting for what seems to be some-one-else’s cause.
But then you can’t discount the appeal of the song’s mock evangelical Hallelujah chorus, better known than even Handel’s and Leonard Cohen’s.
Battle Hymn of the Republic
A refined reclamation of the song was written by Julia Ward Howe (1862).
The evangelical Union soldier now marches into battle in order to visit God’s vengeful wrath—the grapes of wrath—upon the slave-holding South:
-
MINE eyes have seen the glory
——of the coming of the Lord:
He is trampling out the vintage
——where the grapes of wrath are stored;
He hath loosed the fateful lightning
——of His terrible swift sword:
His truth is marching on.
CHORUS
Glory, Glory Hallelujah (x3)
——His truth is marching on
Mark Twain
Mark Twain was brought up in the antebellum South, as he explains …
The orgy of the launching of the Sword
In 1901 Mark Twain wrote an anti-war parody of the Battle Hymn, which lay unpublished until 1958. It starts at timestamp 1:00.
- Mine eyes have seen the orgy
——of the launching of the Sword;
He is searching out the hoardings
——where the stranger’s wealth is stored;
He hath loosed his fateful lightnings,
——and with woe and death has scored;
His lust is marching on.
. . .
As Christ died to make men holy,
——let men die to make us rich—
Our god is marching on.
____________________
Like Topsy, the song “Tom Brown’s Body” grow’d …
- an 18th century oral-tradition hymn
- a 19th century battle cry to follow a white martyr into battle for a black cause
- a 20th century parody like Mark Twain’s
- Ralph Chaplin’s borrowing of its tune for Solidarity Forever (1915)
- 21st century parodies like…
It still keeps marching on.
