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Pathfinders: Don't Be Evil

Google have been in trouble again lately, this time for 'allowing'  ads by governments and major companies to appear next to extremist and hate videos on YouTube, making it look as if the...

Greasy Pole: New (?) Hope (?) For Labour

For any enduring Labour Party hopefuls the recent death of Gerald Kaufman summoned up some of the most painful memories. Because all the obituaries for the late MP for Manchester Gorton reminded...

Support for All

A look at how capitalism treats people with disabilities.

There are various forms of disability, and plenty of room for arguments about definition. Under the Equality Act of 2010, an...

Was Antonio Gramsci a Socialist?

This month sees the 80th anniversary of the death of an icon of the left – Antonio Gramsci. Gramsci (1891-1937) was an Italian political activist who was imprisoned by Mussolini’s Fascist regime...

Editorial: Capitalist Health Warning

On 4th March 2017, tens of thousands of people marched through London in support of the National Health Service. This winter, hospital waiting times had grown and in the Accident and Emergency (A&E) wards, patients were stranded on trolleys while waiting for beds to become available. This has been exacerbated by the crisis in social care, where elderly people have had to be cared for in NHS hospitals, because of a shortage of places in care homes. Last year, there was a dispute with the junior doctors, who objected to new contracts, which would worsen their working conditions. This is against the backdrop of a squeeze in government funding made in response to the economic downturn in 2008-2009.

Secrets of the Financial World

Glasgow Branch meeting

Wednesday, 15 February 2012

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The Non-Party Political Broadcast

Excerpt from The Socialist Party film "Capitalism and Other Kids Stuff"

Saturday, 16 May 2015

The Socialist Party's latest pamphlet

How We Live And How We Might Live by William Morris

William Morris was one of the foremost creative artists of the nineteenth century. Designer of furniture and wallpaper, printer, architect, novelist and poet, Morris was respected by the 'respectable' people of Victorian capitalist society. His upbringing was far from one of poverty. He was born in March 1834 into a wealthy capitalist family. He was sent to public school and then to Oxford where his mother wanted him to train for the clergy. At university Morris fell under the spell of Ruskin who criticised the mechanised, economically regimented nature of industrial capitalism.

As time passed the success of William Morris as a celebrated artist clashed more and more with his understanding that society was dominated by the values of money and profit. What passed as civilisation was merely the rule of Property. What was the point of being creative in a world which regarded creations of art as just a few more expensive commodities to be bought and sold? What was the point of producing great art when the mass of humanity was confined to the drudgery of wage slavery, forced to produce what was cheap and nasty for a mass market which paid no recognition to craft, skill and quality?

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